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12 Incredible Moments From The 2018 New York Coffee Festival

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It’s really something to witness Chelsea’s distinguished Metropolitan Pavillion transform into a patchwork quilt of New York City’s finest coffee companies. This is our fourth year as media partners of the New York Coffee Festival, a younger sibling of the game-changing London Coffee Festival, which by all counts is one of the largest attended consumer-facing coffee events in the world. What surprises us most about the festival is its ability to keep surprising us—booths seem to up the ante each year with attention-grabbing and crowd-pleasing design and programming. It’s a thoughtful blend of experimental exhibitions, unexpected vendors, and tried-and-true events-within-events.

Here’s a collection of some of our favorite moments and details from the 2018 New York Coffee Festival.

T-Shirt Canons & Booth Design

For a moment on Saturday, La Marzocco USA and Variety Coffee Roasters—two prominently featured exhibitors at the event—took part in a heated t-shirt canon battle royale. Perhaps the first of its kind at a coffee tradeshow, the companies, each armed with compressors and canons, shot t-shirts to the crowd (and, reports suggest, each other). Projectiles aside, La Marzocco’s booth at the festival drew oohs and ahs all weekend long, featuring a vintage sports scoreboard theme and a live “shot counter”—each guest was invited to pull a shot of espresso, then entered to win a La Marzocco Linea Mini.

Vendors Large and Small

Roxanne Royce, the inventor of the BevBag (pictured left), exhibits with her mother at the New York Coffee Festival. The insulated bag holds four coffees in a reusable 3D-printed carrier. Royce invented the bag after experiencing the pitfalls of delivering coffees—namely the spills and the heat loss. The bag, Royce tells us, sells big with corporate clients and with folks on Amazon, where it holds a strong four-star rating. And while the fashion hits did not stop all weekend long, Mother Royce’s lewk was one of the very best at New York Coffee Festival.

Chai Marshmallows

There’s no shortage of snackables at the New York Coffee Festival, but our personal favorite was the chai-infused marshmallows on hand at the Dona Chai booth. Paired with their herbal ciders and chai-spiked hot cocoas, these lovely treats were like little cozy hugs in marshmallow form.

Pyschic Energy

Spiritual guide Angelina—practicing Palm, Tarot Card, and Crystal Readings in New York City for over 20 years—offered special readings for attendees all weekend long. “There’s a great energy here,” we were told by one of the many on hand at the booth. It’s great to see folks like Angelina at coffee festivals, and there was plenty of interest from attendees. Maybe we’ll see Angelina and their crew at the Specialty Coffee Expo in Boston?

Living Booths

The plant story was strong at the Sey Coffee booth over the weekend. Marco SP9s serving delightful coffees by co-owner Tobin Polk were practically hiding behind a wall of plant-life. Prominently placed at the entry to the show floor, and beautiful in its simplicity, this was a strong showing from the Bushwick based brand.

CBD Everything

We have entered (or perhaps about to enter) peak the age of cannabidiol-in-everything. Azuca, a New York-based company specializing in sweeteners infused with CBD and THC, are marketing the legal non-psychoactive CBD products to cocktail bars and coffee companies alike. We’re watching this space as we continue to see CBD show up as an upcharge on upscale cafe menus across the country.

Virtual Reality

Project Waterfall, a non-profit started by the festival’s founders, is a project aimed at providing clean drinking water to coffee-growing communities. The initiative is present at each festival, and this year guests were invited to put on VR-goggles and go on a virtual reality thrill-ride.

High Art

This piece of art, on display at the Coffee Festival’s Coffee Art Project competition, sold on the first day for what we believe was around $800.

Coffee Jewelry

While London Coffee Festival is paced by no-one when it comes to fashion-forward vendors (almost an entire floor is dedicated to attire and accessories), the NY Coffee Festival is catching up. That’s thanks to the help of jewerly-maker Anna Steinerová and her line of coffee-themed accessories Kaawa. Based in the Czech Republic, Kaawa has been specializing in coffee jewelry since 2013. These beautiful designs turned heads all weekend long.

Robots

The robots are still coming—and the pour-over robot du jour comes to the festival from the folks at Bubble Lab Robotics. The pour-over bot (Drip) is expected to come out in early 2019 (we were told March) and is going to retail for around $8,000. The booth also showcased an undercounter beverage delivery system (Drop) capable of supplying hot or cold beverages. A unit was positioned next to an espresso machine for cold milk delivery. This device is expected to run $3k and also expected to arrive March, 2019.

Anthropomorphic Cold Brew

Buzzy and Spesh watch out, there’s a new anthropomorphic coffee in town. Variety Coffee Roasters debuted their fun-loving cold brew mascot, followed by a boombox toting man to provide the tunes with which to dance. It was an instant hit. People love mascots.

Fashion-Forward Exhibitors

Winning all of the awards for best-dressed, Revelator Coffee roaster Cameron Heath stunned in a purple suit ensemble, expertly matching the coffee on offer at the Trade booth. Revelator teamed up with Trade, a new e-commerce company that launched in April this year.

Here are a few runner-ups:

James McCarthy and Cora Lambert of Equator Coffees & Teas deliver espresso at the La Marzocco USA Basketball Booth in fashion-forward, function-friendly uniforms inspired by vintage mechanic wear.

An old-timey carnival barker challenges guests to a game of ring toss at the Toby’s Estate Coffee booth (the rings were tossed at portafilters).

For more from the fest, please check out @newyorkcoffeefestival on Instagram, and follow @Sprudge for live looks from the weekend. Up next: we’ll see you at the Los Angeles Coffee Festival November 9th—11th.

Disclosure: Sprudge Media Network is a media sponsor of the New York Coffee Festival.

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Source: Coffee News

A New Fuel Cell Converts Coffee Wastewater Into Electricity

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Farm-level efficiency has a sticking point in the coffee industry for some time now. Already battling against razor thin margins (that are only getting thinner), folks have come up with inventive ways to utilize all aspects of the coffee growing process in hopes of making it a profitable venture. In the past years, cascara has gone from byproduct to ubiquitous cafe beverage, one farm began collecting and selling honey from bees who solely pollenated coffee blossoms, and working with Terroir Chocolate, some producers have planted cocoa trees at lower elevations to be used for single origin bean-to-bar chocolate that includes coffee from the same farm.

And according to The Guardian, UK scientists thinking beyond coffee have created a fuel cell that not only removes contaminants from wastewater, but creates electricity in the process.

Funded by the UK government and led by the University of Surrey systems microbiologist Dr. Claudio Avignone Rossa, researchers from the UK worked with Colombian counterparts to create a biome-based fuel cell to create energy from the waste in water used during “the washing of coffee seeds, or beans, and during the water-intensive process of making instant coffee.” While coffee has been used as a biofuel before, the article notes that this is the first time it has created electricity.

The hungry little microbe pooping out power was originally found in the “sludge from wastewater treatment plants;” it just so happens to also be readily available on Colombian farms. “Supply is not a problem,” Dr. Avignone Rossa tells The Guardian.

Dr. Avignone Rossa goes on to note that the amount of power the fuel cells can produce isn’t staggering, the effects it can have are not insignificant either:

You’re not going to light up London with these things, but you’re going to put a light where there was none.

The farmer will be getting a little bit of energy coming from the waste they are throwing away. So the environment will be cleaner. The finances of the farm will be improved.

The size of a soda can, the original lab versions fuel cell cost £300-£500 to produce—due mostly the materials used—but that cost can be cut to less than £2 by using “ceramics and disposable plastic boxes” instead.

The new fuel cell is a double whammy: it’s eco-friendly and financially positive for producers, two big issues in the coffee world. And while their current electrical output is small, this is a pretty big first step toward easy and cheap access to power. It’s not like electric cars started out getting over 300 miles on a single charge; it took time, research, and interested parties. This fuel cell may prove to be more than just a building block. It may be a cornerstone.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

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Source: Coffee News

Womxn In Coffee: A Panel Discussion At Seattle’s General Porpoise

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This Thursday, October 18th, Seattle’s General Porpoise Pioneer Square location will host a night of discussion on what it means to be an underrepresented person in coffee. Titled Womxn In Coffee, the event will shed light on the “hardships and successes” folx—women, people of color, queer and non-binary individuals—have experienced while working in the coffee industry.

Created by Tatiana Benitez, a barista at General Porpoise and member of #CoffeeToo, Womxn In Coffee aims to “give a pedestal to all of the under represented folx in the industry” in order to “establish a stronger sense of community… and make it known to these marginalized groups that they do have support and they do have allies,” per the Facebook event page.

“I’ve been in the coffee industry for a bit over five years, and the community surrounding has always been super important to me. When I started working in smaller local cafes I realized that there was a lot more discrimination going on. As a woman of color in the industry I was often the target of some of these discriminations. Sexual harassment and discrimination are something that we all know happens in the industry, so why aren’t we talking about it? Why aren’t we giving these people a safe place to talk about their experiences?” Benitez tells Sprudge. “There have been a couple of other woman-in-coffee events in Seattle, and that’s good, but I just couldn’t help but notice that most of the time they focused on successful cis white woman. That’s why my event is more geared towards POC, queer, and non-binary folx.”

To that end, the event has lined up a panel of speakers from the Seattle coffee community to start the conversation about their shared experiences. The panel includes: Fabiola Sanchez (General Porpoise), Molly Flynn (#CoffeeToo, Broadcast Coffee), Rowan Alaka’ilenani Kapanui (Mr. West Cafe), Emily Chavez (Black Rabbit Service Co), and Radhika Kapur (Third Culture Coffee). At the conclusion of the panel, the floor will be opened for a Q&A session with the speakers.

“I think that if we start the conversation and start letting these people use their voice, then things can change,” Benitez states.

Food, beer, and wine—as well as some plant-based ice cream treats from Frankie and Jo’s—will be available for all attendees. Womxn In Coffee is free to attend, but they do ask you RSVP, which can be done here.

For more information about Womxn In Coffee or to read their code of conduct, visit their Facebook event page.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

All images via Womxn In Coffee

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Source: Coffee News

Intellectual Property In Coffee: Who Really Owns The Story?

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Stop me if this sounds familiar.

“This coffee was grown in fertile soil, amid a lush landscape known for producing bright, fruity notes with a hint of chocolate. We believe in sustainability and transparency throughout the supply chain. Our team travels the world to responsibly source the best coffees, taste them, and carefully roast them for you. We partner with producers who practice traditional farming methods, but aren’t afraid to try new techniques.”

If you’ve read enough coffee roasters’ About pages and coffee descriptions, then all of this should sound familiar. This was not quoted from any one company; rather, it was a patchwork of keywords pulled from many companies’ websites.

Every coffee has a story, and anyone in marketing will tell you that stories sell. It’s even easier to sell when consumers recognize certain attributes without preemptive education, such as where the coffee was grown (place-based marketing) or any certification marks (e.g. Fair Trade). If I had told you the coffee was  Jamaican Blue Mountain or Kona, you’d likely have recognized the names and skipped the flavor notes. This is intellectual property (IP) at play.

This type of brand recognition is sometimes driven by a marketing campaign from the country’s government and other times, it’s a result of consumers associating certain characteristics with quality.

There is a wide range of how IP affects producers. It runs the gamut of creating a geographic indication (GI) for a specific region, developing a new variety and protecting it with plant breeders’ rights, and using certification trademarks like Rainforest Alliance. Much like the previous angle examinations of IP in this series, enforcement and laws vary by country.

Enveritas is a non-profit organization with a mission to create a sustainability verification platform for all coffee farmers through data and field assessments. COO and co-founder Carl Cervone echoes what we’ve all heard, that what makes a coffee interesting is the story behind it. Unfortunately, it’s a story often told by the buyer, and it can create a tricky loop. “On one hand, you want to bring the story to the public,” he says. But the story drives recognition and other importers become interested. “But on the other, it’s more difficult to buy it again the next year once you’ve created the buzz.”

Geographic indications (GIs) are one way for producers to collectively pursue IP protection. GIs give producers control over their story, which can be important in an industry that markets their faces and cultural assets without recognizing their original owners. Usually created for indigenous or historical products with distinctive flavor profiles—like Parmesan cheese—successful GI programs require robust organizational and institutional structures. Each country varies in its GI approach with some being government-funded and others producer-run.

Marshall Fuss, a California attorney specializing in the coffee industry, says that GI programs would be a great protection option for regional coffee producers. “The problem is that in so many regions, the farmers are poorer than winegrowers and winemakers, they are even poorer than cheesemakers,” says Fuss. “So it’s been very difficult for them. Personally, I’d be delighted to see them pursue geographical indication protection.”

One research study on IPR’s value in the coffee industry by Daphne Zografos Johnson of the World Intellectual Property Organization observed that consumer purchasing habits can influence a decision to pursue GIs programs and ethical certifications. Johnson wrote, “These emerging tendencies offer producers opportunities to pursue strategies independent of commodity pricing at the exchanges, and to capture value by asking for higher prices for better quality coffee, and more sustainable cultivation and trade practices.”

To examine this further, we can take a look at Indonesia, where the first GI was domestically registered in December 2008. The pilot project of Kintamani Bali Arabica coffee began in 2002 and led the way for the 13 coffee GIs now registered in the country. One 2009 study (PDF), published by Surip Mawardi from the Indonesian Coffee and Cocoa Research Institute, examined the region’s success by looking at the farmgate price.  These prices paid to producers on the farm, excluding any export or transport fees, increased from US$0.80 per kilogram in 2002 to US$3.30 per kilogram in 2008. In addition, infrastructure and the local economy improved.

In a research article published in the Journal of Rural Studies a few months ago on this topic, Dr. Jeffrey Neilson and team argue that producers in Indonesia are not seeing the value of GIs reflected back to them. They wrote, “As a largely technocratic intervention, imported from Europe and implemented as an elite driven project, the GIs are yet to deliver economic benefits to coffee producers in Indonesia.”

So if producers aren’t earning more, then who does GI really benefit?

I posed a question about the Gayo, Indonesia GI program’s success and producer benefits to Hadiyan Ibrahim, General Secretary of Yayasan Masyarakat Perlindungan Kopi Gayo (Gayo Coffee Protection Society Foundation). Ibrahim said that while the quality has improved, the price has only remained more stable with no changes. The most direct benefit to producers has been “the traceability protection to make sure the originality of coffee.”

Indonesia is certainly not a case study for the world, and its GI programs’ successes vary even by region. But one item that GIs protect is the immeasurable sense of ownership and nationalist pride in their work. As Neilson writes, the producing countries’ interests “need to politically engage with the moral legitimacy of roasters and cafe owners to use place names and cultural property without acknowledging producer claims of ownership.” In other words, if roasters truly believe in contributing to a sustainable coffee chain, there’s certainly more work that can be done in telling the right story with the right words.

And while some countries like Indonesia and Vietnam go with a top-down geographic indication approach, other countries prefer something more decentralized. Trademarking a name of a farm or region may prove to be more useful.

Because GIs require characteristics within the region to be similar and that much of the coffee is produced on smallholder farms, Ethiopia opted for trademarking the region names themselves. This strategy received opposition from the National Coffee Association and Starbucks in 2006, contending that the country’s trademark application should be rejected based on how common the region names had become. Starbucks later caved to public pressure.

One study by Heran Sereke-Brhan, published in Boston University Frederick S. Pardee Center for the Study of the Longer-Range Future, looked at Ethiopia’s strategy and concluded that it was a success. Sereke-Brhan noted that trademarks like Sidamo, Harar/Harrar, and Yirgacheffe were registered in 30 countries, and over 80 countries had committed to being licensed distributors. The researchers extrapolated the success, predicting it would set a precedence for African cultural goods. They wrote, “Even beyond coffee, the general premise holds that African countries have the capacity to generate intellectual property assets that can then be harnessed to meet development needs.” When the producers and creative makers have control over their “story,” it’s when IP “favorably shifts the position… to capture an increased portion of retail price for their goods.”

Another IP consideration that directly affects farmers is the development of new plant varieties. “Creating a new coffee variety using traditional methods takes 30 years,” says Hanna Neuschwander, Communications Director of World Coffee Research (WCR). Combined with issues like climate change, diseases like rust, and subsequent labor problems, the work can’t stop. She says, “You have to be doing that work continuously, you can’t wait until the crisis hits to start doing it.” Breeders’ rights give the creator control over how the variety is distributed, but they also require you to make it available for other breeders to use for research.

One of the goals of World Coffee Research is to collaboratively work with countries on variety development. In a search for new coffee varieties filed in the International Union for the Protection of New Varieties of Plants (UPOV) database, Neuschwander found only 36 for plant breeders’ rights.

One of the barriers to variety development is that there is no professionalized seed sector for coffee, says Neuschwander. A seed sector, or formalized industry, will give you assurance that the seed you purchased is the correct one and support the cycle of research that is needed to produce the seed. The sector would also work to market their seeds to the farmers that will purchase them. At the end of the day, it doesn’t matter if you have a great variety if farmers don’t have access to it.

There is also currently no protection for seed quality, which can negatively affect farmers. Imagine being told you have a rust-resistant variety and later finding out that that was false. WCR often receives requests for help in identifying varieties. “At least half the time it’s not what they think it is because they just got it from a neighbor or they bought the land and someone told them that’s what it was,” she says. One resource that may become helpful is the World Coffee Research-produced  Variety Catalog, filled with breeder information, agronomics data, and photos.

When asked about what he thought would be the biggest impact of sustaining the industry at the farm level, Enveritas’ Cervone noted that it came down to understanding what’s unique about a place or processing method. “To go beyond large estates, it’ll require a lot of cooperation among farmers,” he says. “It also comes down to producers listening closely to the market to recognize what is unique and what is valuable.”

Neuschwander was more stark, emphasizing a need to invest in farmers and research. She says, “Sometimes people either forget or not have full clarity on the fact that coffee is agriculture and farmers have to have the tools, resources, and knowledge that they need to support the work that they do.”

When we’re far removed from the source, we don’t think about things like plant breeders’ rights or geographic indications. Naming the region is something everyone does. But if you’re using a story to sell your coffee without acknowledging any rights of farmers, are you really supporting the coffee value chain or are you just participating in a colonialist structure?

Intellectual property is varied and complicated. Cafe designs, logos, and concepts are easily duplicated across international borders, often leaving the original creator helpless to pursue. Social media access has only fueled faster copycat manufacturers. For producers, their stories and customs are often retold into bite-sized, glorified material. And for those who have the power and resources, our job in the industry is to recognize who owns the story rights and reallocate some of that power to them. We can surely refocus some of our energy from developing another brewer to truly sustaining the industry for the next generation.

Jenn Chen (@TheJennChen) is a San Francisco–based coffee marketer, writer, and photographer. Read more Jenn Chen on Sprudge.

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Source: Coffee News

Starbucks Announces Care@Work, A Subsidized Backup Care Program

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Starbucks continues to add to their already impressive (at least by coffee industry standards) benefits package. Along with things like an expansive transgender health care policy, 100% tuition coverage for first-time bachelors via Arizona State’s online program, and paid parental leave, Starbucks has announced the newest addition to their package: a subsidized backup care plan for children and seniors.

Called Care@Work, Starbucks has teamed up with Care.com to provide all employees at “US company-owned stores” with “an online service connecting families and caregivers,” per the press release. In practical terms, this means all 180,000+ employees will receive 10 subsidized backup care days for children and adults.

Using the Care@Work portal, employees will be able to schedule last-minute care for their loved ones for the subsidized cost of “$1 an hour for in-home backup child and adult care or $5 per day for in-center child care” for the allotted 10 days. After exhausting these days, other services—like pet sitting and housekeeping—become available, though at full cost to the employees.

The move comes in response to a significant sector of the work force having difficulty balancing their job and their family. From the press release:

recent analysis of the National Survey of Children’s Health showed that 2 million working parents had to quit their jobs in 2016, the year of the survey, because of child care issues. The crunch isn’t just being felt by parents, but also for those who are caring for their own aging relatives. One in five U.S. workers report they are currently providing assistance for older relatives and friends, according to a report by the AARP Public Policy Institute. Nearly 70 percent of those who do say they had to take time off or make other work adjustments because of caregiving.

Also included in the Care@Work package are resources to help Starbucks employees with senior care planning. This give participants access to “a Senior Care Advisor for professional guidance and a customized plan for senior care to help understand long term caregiver options, housing alternatives, finances and legal concerns – all at no cost.”

For all the (often justified) grumbling people to about Starbucks—at this very moment, someone is angrily typing, “BUT WHAT ABOUT [WHATEVER THEIR BEEF IS], SPRUDGE…”—the company continues to lead the charge in creating a robust employee benefits package. For more information, read the full Care@Work press release here.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

All media via Starbucks

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Source: Coffee News

What’s On At The 2018 New York Coffee Festival

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new york coffee festival trends bow tie la marzocco chemed steampunk sprudge allegra coffee masters

Can you believe it? It’s nearly time for the 2018 New York Coffee Festival, presented by Allegra Events. Now back for its astounding fourth year in Manhattan, the festival brings together a who’s who of New York City coffee culture, plus leading brands from around the world, in a three day exhibition dedicated to the bean and nothing but. (Okay, there’s some food and tea too, but it is mostly all coffee.)

We’ll be there as part of a long-running partnership with the festival, so be sure to catch Sprudge on the Coffee Masters Stage and presenting at The Lab—more details below. And now, in what’s become something of a tradition here at Sprudge, check out an advance look at some of the most exciting facets of this year’s fest. Note that no such highlight reel could ever be complete, and that much more information—including last minute ticket options for you stragglers out there—can be found at the official New York Coffee Festival website.

Coffee Masters

It’s back! Coffee’s most lucrative tournament has returned to the United States again, for the fourth running of the Coffee Masters Tournament at New York Coffee Festival. This year’s event is poised to turn heads yet again, featuring an all-star panel of judges, emcees, and competitors from around the world, competing on gear from Slayer, Mahlkönig, and Hario. This event takes place all three days of the festival Complete details area available here at the official Coffee Masters NYC homepage.

T. Ben Fischer at the 2017 US Barista Championship Qualifying Event in Knoxville, TN.

The Lab

An industry-leading exhibition of coffee knowledge and education, The Lab at New York Coffee Festival is back with its finest line-up ever. Featured speakers include Grace Hightower De Niro (Friday, 12:15PM), George Howell (Friday, 1:00pm), T. Ben Fischer of Glitter Cat Barista (Saturday 10:00AM), Tymika Lawrence of Genuine Origin (Saturday, 2:30PM), and many more. Check here for a complete listing of speakers, and be sure to catch Sprudge founders Jordan Michelman and Zachary Carlsen presenting at The Lab Stage One on Saturday the 13th (3:15PM)—talking about their new book, The New Rules of Coffee, and taking your audience questions.

The Brew Bar

A new feature at this year’s fest, Brew Bar is an elite collection of roasters from around the world, exhibiting in a series of take-over sessions to show off their favorite coffees. Check out the complete schedule here and be sure not to miss highlight appearances from Truth Coffee from Cape Town, SA, Koppi of Helsingborg, Sweden, and Five Elephant Coffee from Berlin, plus domestic favorites like Equator Coffees & Teas, Nobletree, and Black & White Coffee Roasters.

La Marzocco True Artisan Cafe

Always a major stop on the NY Coffee Festival showfloor, La Marzocco’s rotating exhibition of small roasters is back again in 2018. As a set piece the True Artisan Cafe consistently makes for some of the most interesting booth design happening at this show—or at any coffee festival. You’ll see us there, running around between appointments, stopping for another espresso.

Charcuterie and Ratio Brewers at the Coutume Coffee Roasters tasting.

The Village

They say it takes a village to raise a child. Well, at the New York Coffee Festival, The Village is where all the little coffee children and bean teens come to see and be seen. It’s a grand display of booths, exhibitions, tastings, samples, takeovers, and so very much more. Annual stand-outs include booths by Stumptown, Oatly, Hario, and Mr. Black, and we’re looking forward to checking out this year’s offering from Trade, Oxo, Sey Coffee, and so many more.

For a complete listing of what’s on at the 2018 NY Coffee Festival, visit the official website and be sure to follow the festival on Instagram. Follow us there too while you’re at it—we’ll be covering the very best of the fest all weekend long.

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Source: Coffee News

Able Brewing Acquired By Mark Hellweg, Founder Of Ratio & Clive Coffee

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The great coffee company consolidation continues. This one lacks the certain Illuminati, conspiracy theory-inducing panache of a multi-billionaire German family playing coffee Katamari, though. It is admittedly on a much smaller scale and makes a lot more sense. Able Brewing, maker of the Kone and Disk metal coffee filters, has been acquired by Mark Hellweg, founder of Clive Coffee and Ratio.

Able Brewing began by answering a simple question: with the growth in popularity of pour-over, can a reusable coffee filter meet the expectations of this new breed of persnickety hand brewers? The answer was the Kone, the world’s first precision-etched stainless steel filter for the Chemex. Able later grew to include the Disk reusable AeroPress filter as well as other manual brewing accessories.

The brand was just one of many interests for creator Keith Gehrke, who in other coffee circles, is better known for his time spent roasting at Victrola, Flying GoatEcco Caffe, and Coava Coffee Roasters. In 2015, Gehrke went on to found States Coffee & Mercantile in Martinez, California (profiled here on Sprudge). And it is this project that has pulled his attention away from Able, turning over the keys to Hellweg and his business partner Brad Walhood.

The announcement came via an Instagram post on Able’s account. Hellweg and Gehrke have long been co-conspirators in the coffee brewing innovation game, so much so that Able created a custom Kone filter to be used specifically with Hellweg’s Ratio Eight automatic coffeemaker.

The acquisition was made by Hellweg and Walhood, not Ratio or Clive, meaning the brand will continue to operate under the Able Brewing moniker. In an email to Sprudge, Hellweg states that folks can expect to see an expanded portfolio from Able in the future. “We are not ready to divulge details, but we are going to be looking at other areas of manual brewing of both coffee and tea to see where we can apply the Able perspective.” Hellweg adds, “Manual brewing is a crowded category with an overwhelming array of options, so we will only want to offer a product if we can do something a little different, a touch nicer in terms of the brewing experience, coffee quality, and durability.”

Hellweg tells Sprudge that an official announcement will be made available on Able’s website shortly. In the meantime, more information is available via Able’s Instagram.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

Top photo © Mark Poprocki/Adobe Stock

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Source: Coffee News

Intellectual Property In Coffee: A Global Game Of Clones

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I remember when I visited my extended family in Taiwan in 1998. Lining the streets were vendors doling out the latest movie on DVD, before it even left the theater. A few years later, the girls around school were all sporting bags with the Chanel-style C patterned around them. I bought a pair of C-patterned heels for NT$100 (US$3 at that time). They were such a steal and people fawned all over them.

What I didn’t know was that pirated movies and counterfeit products were intellectual property rights violations, and that I was enabling the market.

When I first decided to write this feature series [READ PART ONE HERE] I had wanted to explore cultural influences in intellectual property (IP). Instead, it evolved into also looking at how developing countries manage IP and how the internet influences global coffee culture. Every country has a different approach to IP laws, and social media only makes access to other people’s ideas easier.

IP cases in coffee that play out on the international stage tend to be dominated by large corporations—that is, those entities that have the resources to take things worldwide. Patent registrations protect companies, but they also expire after a set number of years. In 1976, Nestlé filed its first patent for its single-pod Nespresso system and subsequently filed at least 1700 more patents. In the US, Keurig Green Mountain filed its first patent for K-Cup pods in 1992. For both companies, the patents began to expire in 2012, opening the doors to new companies and cheaper pods.

Most specialty coffee companies don’t seem to care much about patent wars, despite some having been recently purchased by larger entities like JAB Holding Company or Nestlé. But as specialty coffee—and its accoutrement—continues to be a growing industry, new coffee equipment is constantly being invented. Having ready access to social media only means the newest ideas can get knocked off easier than ever.

The PUSH tamper, created by UK-based Clockwork Espresso, is one example of new coffee equipment that’s been duplicated around the world. In 2015, when soon-to-be United Kingdom Barista champion Maxwell Colonna-Dashwood pulled out a strange, hockey-puck-like tamper on the world competition stage, the audience was buzzing. The shape was unlike any tamper on the market and could conceivably solve pressure consistency issues that occur from one tamp to the next. As expected, similar products began appearing on the world market soon after. When asked about them, the founder of Clockwork Espresso’s Pete Southern confirmed that they were unauthorized copies. “Yes, there are several replica products on the market that are produced without our permission,” he said via email.

Southern’s background is in biotech, where IP protections are common and respected, giving him a leg up on protecting his new product. “Working in this field means that I have direct experience of working with patents, litigation, enforcement, action, etc,” he said. “The coffee industry currently lacks this understanding of IP, but I think this will change over time.”

Southern plans on building an IP portfolio, which is a collection of IP registrations and assets that a company manages. He elaborated, “We will use this portfolio to protect our investment, in a strategic rather than reactive way.”

One common misconception he points out is that “people also don’t seem to realize that selling/distributing/marketing an infringing product without permission is just as illegal as manufacturing it.” On the flip side, patent owners are also able to license their technology, which can benefit the creation of new products without worrying about infringements.

In his paper “Intellectual Property Challenges for Developing Countries: An Economic Perspective,” Keith E. Markus, Professor of Economics at University of Colorado, Boulder, writes, “The costs of developing a system adequate for handling mere counterfeiting cases, let alone complicated patent disputes, can be substantial.” So while a developing country’s economy could be open to stronger IP laws, those laws lack teeth if no one is able to enforce them.

Furthermore, technology licenses are expensive and benefit those who hold the copyrights, mostly companies based in the US. Markus estimated a net inflow of $5.8 billion per year in licensing fees paid to US companies.

At the time of this writing, the Trump administration imposed tariffs on Chinese goods, which is in response to “alleged policies that help its native companies acquire the technology of US firms.” Tariffs are predicted to harm relations between the two countries, beginning with China imposing its own tariffs on US goods. To expand into the Chinese market, where specialty coffee is poised to grow in both consuming and producing sectors, some sharing of technology information is needed.

Barb and Doug Garrott are co-owners of Orphan Espresso, a Troy, Idaho company that designs and sells coffee grinders and accessories. They’ve had their “products directly purchased, and copied, sold on Amazon, and on eBay,” the Garrotts told Sprudge via email. Orphan Espresso’s OE Lower Bearing Upgrade Kit (for use with the Hario Skerton grinder), Ipanema Dosing Cylinder, and standard dosing funnels are all products they’ve seen directly copied by both small and large, multinational companies.

When the company was first starting out, applying for design patents was too costly for them. Reaching out to the companies that were copying its products only produced responses that pointed out the lack of a patent. The Garrotts learned that “the more successful, the faster it will be copied and if your R&D costs, or tooling costs are quite high, you may be copied before those costs are fully recovered.”

And if companies use overseas manufacturers, IP protection is key. The biggest mistake that the Garrotts have seen peers make, though not made themselves, is “collaborative manufacturing, where the overseas partner became a seller of the design, to the detriment of the original manufacturer—it was a costly mistake.”

Through a Western lens, it is easy to criticize some of this as outright stealing. In his book, “Trouble in the Middle: American-Chinese Business Relations, Culture, Conflict, and Ethics,” author Steven P. Feldman, Professor of Business Ethics at Case Western Reserve University, puts the viewpoint into perspective. In a Confucian society, value is placed in the collective rather than in the individual.

Feldman writes, “Rather than regarding invention as a private right, the Chinese regard public duplication of creative objects as the proper approach to the value of such objects because all creativity comes from a public repository and should contribute back to it.”

This belief in collectivism vs. individualism is at direct odds with IP, where assets and ideas are registered and fought over. China’s entry into the World Trade Organization (WTO) in 2001 meant that it had to agree to some basic IP laws. WTO’s Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) establishes “minimum standards of protection and enforcement that each government has to give to the intellectual property held by nationals of fellow WTO members.”

Feldman says that market protection and stability is far more important to the Chinese government than IP enforcement. He writes: “The Chinese government is concerned that enforcement of IP could hinder economic development by blocking access to information and technology, allowing foreign firms who own the IP to dominate the China market and creating a trade imbalance that favors the West.”

International accords were written by developed nations and have been criticized as being a barrier for developing nations’ growth. Feldman concludes, “The fact is that developing nations cannot compete with developed nations in most areas of IP.”

Technology’s Influences on Coffee Culture

In Vietnam, where Confucianism has a long history, coffee is both grown and consumed. Because the specialty coffee industry is newer, the values may not be as impactful as in other industries.

Sarah G. Grant, Assistant Professor in Cultural Anthropology at California State University, Fullerton, studies Vietnam’s cultural and economic policies in relation to the commodity coffee industry. In a written interview, Grant says the internet played a greater role in the industry than Confucianism. “The Vietnamese specialty coffee industry developed quite rapidly and I think the relative age, education level, and English language fluency has significantly shaped it,” she says. At the moment, Vietnamese specialty coffee professionals are collaborative and supportive of each other.

Social media has certainly played a role in intellectual property and design concepts. Being able to see what a well-known cafe abroad looks like without ever leaving your country offers up an opportunity to spark ideas close to home. Grant says, “A lot of these models put cafe design first—some of the best-known specialty cafes in Vietnam feel like walking into a cafe in LA, Berlin, or San Francisco and I think there’s something to be said for that design influence.”

Interior design inspiration is one thing, but images, logos, and other such copyrighted or trademarked materials can be found floating across international waters. Brian W. Jones, a designer and brand consultant to coffee companies, shared a few examples of this with Sprudge via email.

“Poster designs that I’ve made have been turned into stamps that people use like a logo on their takeaway cups, paintings on their walls, [designs on] their own t-shirts,” Jones says. Most of the violators are small businesses in faraway countries, and pursuing action is often expensive.

When designing for a client, Jones retains only the right to display work in a portfolio. However, he’s observed a client’s branding pirated to a country distant from the original business. “I worked on a [cafe] branding project in London that had [the company’s] entire name and logo ripped off in Seoul,” Jones says. “There was signage and printed cups and engraved tables, all with this logo I designed for a different company.”

What is more concerning—and why many of these protections exist in the first place—is when a stolen name or trademark begins to be confused with the original holder. This tends to dilute the brand and can be damaging to the company. Jones says, “People who would travel to Seoul began to think the London-based company had expanded to South Korea.”

UK-based shop Kaffeine is no stranger to having its designs and name used outside of its home country.  Peter Dore-Smith, founder and director of Kaffeine, wrote via email that despite having the logo and name registered across the EU, “We now have ‘branches in Russia, Jakarta, Texas, Budapest, Penkridge (UK) and the latest is in Crete. There may be even one in Sydney.’”

For Dore-Smith, a friendly reach out comes first. If it fails, then the decision to pursue legal action comes down to where their marks are protected and if it’s worth the cost. “The cost of getting a solicitor to write a letter is about £300 each letter, then following up and chasing, you are looking at around £1,000,” he says.

Farah Bhatti, shareholder at business law firm Buchalter, advises her clients to protect their mark in countries where they plan on selling their products. “Because unlike the US, where it’s a first-to-use country… a lot of other countries are first-to-file countries,” she says. In cases where companies have registered her clients’ trademarks, she ends up filing oppositions against them. Obtaining the rights ends up costing $20,000 when a registration could’ve been only $3000 to $5000.

IP is immensely complicated, especially when you’re expanding internationally. Every country has its own management system, copycat products abound in every industry, and the Internet has only made it easier than ever to adopt ideas.

If success is in your plans, Dore-Smith says, then you should get protection for your brand. Design can be inspired by another shop, but not by a duplication of its marks. “Making a direct copy of something is just stupid and taking the piss,” he adds.

The coffee industry has more challenges ahead in navigating IP in international waters and it may take a few high-profile cases to spur companies into taking protective action.

The final part of this series will focus on IP as it specifically relates to the coffee plant itself in origin countries. Missed the first installment? Click here.

Jenn Chen (@TheJennChen) is a San Francisco–based coffee marketer, writer, and photographer. Read more Jenn Chen on Sprudge.

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Source: Coffee News

Jameson Wants To Coffee Up That Whiskey For You

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Jameson Irish Whiskey is bringing together two great tastes that taste great together (more or less) with their brand new Jameson Cold Brew.

The recently-announced “spirit drink” as the bottle refers to it—as opposed to a vodka drink, a lager drink, or a cider drink—is a blend of “triple-distilled Jameson Irish Whiskey” and “Fairtrade cold brew coffee extract sourced from Arabica beans in Colombia and Brazil,” per Liquor.com. The bottle even has that little Fairtrade logo on it.

The flavor is described as “distinctive, bold, and natural with refreshing cold brew coffee impact followed by charred wood from the pot still whiskey contribution on palate,” with “intense rich coffee bean aromatics combined with vanilla nuttiness of Jameson.”

Sitting at a pretty drinkable 70 proof, Jameson Cold Brew is expected to retail at $33, which is probably about as much as I’d be willing to pay for this sort of coffee-based gimmick, and I’m the target audience.

Alas, it is unlikely that Jameson Cold Brew is in my American future, as the very limited release—only 3,000 bottles made—is currently only available on the Emerald Isle, somewhat ironic considering the last time I was in Ireland I could rarely find a filter coffee, much less a cold brew. According to Liquor, the new whiskey is only available for purchase at Jameson’s Dublin distillery and the Dublin Airport, but a quick Google search found that Obriens appears to be selling bottles of Jameson Cold Brew for €28.50. And they’ll deliver anywhere on the country.

But should I be lucky enough to get my hands on a bottle, I know just the mixer.

Zac Cadwalader is the news editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

Top image via Jameson

The post Jameson Wants To Coffee Up That Whiskey For You appeared first on Sprudge.

Source: Coffee News

The New Rules Of Coffee East Coast Book Tour!

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Tour! Tour! Tour! East coast Sprudge readers and traveling coffee enthusiasts, join us at one of these exciting upcoming appearances in support of The New Rules of Coffee: A Modern Guide for Everyone from Sprudge co-founders Jordan Michelman and Zachary Carlsen. We’d love to see you at any or all of the events below, so give us an RSVP via Facebook and pick up your tickets today (where applicable).

Tah!

NYC

On Thursday, October 11th join us for a special live taping of the Taste Podcast at Counter Culture Coffee (376 Broome Street). This is a ticketed event—buy tickets here—and the price includes a signed copy of the book, a spot at the taping, and delicious treats from the team at Counter Culture. Check out past episodes of the Taste podcast featuring Christina Tosi, Peter Meehan, Saimin Norsat, and many more.

Thursday 10/11 at Counter Culture Coffee NYC TC 6-8pm TICKETS

On Saturday, October 13th join us at the 2018 New York Coffee Festival for a special presentation of The New Rules of Coffee happening at The Lab Stage One. There we’ll be talking about the creation process of our book, reading select passages, and taking your sure-to-be-cheeky questions in front of a live audience. Admission is included with entry to the New York Coffee Festival.

Saturday 10/13 at New York Coffee Festival 3:15 PM TICKETS

On Wednesday, October 17th join us in Brooklyn at the stunning new Stumptown Coffee Roasters cafe in Cobble Hill (212 Pacific Street, Brooklyn) for a book signing meet n’ greet from 1pm-3pm. There we’ll be joined by the lovely folks at Books Are Magic, and we’ll be personally signing books, taking your questions, and inquiring as to your favorite local pizza slice spot. This event is free and open to the public, with books for sale on-site.

Wednesday 10/17 at Stumptown Cobble Hill Brooklyn 1pm-3pm RSVP

PHILADELPHIA

On Thursday, October 18th we’ve got two stunning events in Philadelphia, PA! To kick things off, join us at Reanimator Coffee‘s Kensington roastworks (310 W Master St.) for a book signing meet n’ greet and intimate presentation of some of our favorite chapters. Come enjoy cappuccino with us and get your very own signed copy of the book. This event is free and open to the public, with books for sale on-site.

Thursday 10/18 at Reanimator Coffee Kensington 2pm-4pm RSVP

On the evening of Thursday, October 18th join us at the Elixr Coffee cafe in Center City (207 S Sydenham St) for an evening of coffee sports, giveaways, and a presentation from The New Rules of Coffee. Guests can participate in a cup tasters challenge, with prizes courtesy of Elixr Coffee, plus enjoy refreshments and pick up signed copies of The New Rules of Coffee. We’ll be there to take Q&A and read you a few of our favorite sections of the book. This event is free and open to the public, with books for sale on site.

Thursday 10/18 at Elixr Coffee Center City 7pm-10pm RSVP

DC

On Saturday, October 20th join us in Washington DC for an event with Peregrine Espresso and Solid State Books at Small Planes Coffee (2400 T Street NE) for an evening of coffee and conversation. Starting at 5pm Peregrine is hosting a city-wide roaster cupping featuring a dozen or so roasters from across the DMV. Then at 7pm, join us for a live conversation on The New Rules of Coffee moderated by God In A Cup author and New York Times/Washington Post/Sprudge contributor Michaele Weissman. Guests can pick up a signed copy of the book onsite and there will be light Q&A following the event.

Saturday 10/20 at Small Planes Coffee with Peregrine Espresso and Solid State Books 5pm-9pm RSVP

And to cap things off, on Sunday, October 21st join us for a very special live presentation with Smithsonian Associates at The Ripley Center (1100 Jefferson Dr SW). This is a ticketed presentation event, and guests will enjoy delicious coffee courtesy of Counter Culture Coffee, plus receive a signed copy of The New Rules of Coffee.

Sunday 10/21 at The Ripley Center with Smithsonian Associates and Counter Culture Coffee 1pm-4pm Buy ticketsRSVP

 

MANY MORE EVENTS ANNOUNCED SOON—CHECK SPRUDGE.COM/BOOKTOUR FOR A COMPLETE LISTING

Want to book Sprudge for an event in your city? Drop us a line and we’ll set it up! 

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Source: Coffee News